Douglas Fairbanks, Jr. and Mary Brian - publicity portrait from the 1932 film It’s Tough to Be Famous
Undoubtedly inspired by Charles Lindbergh’s unprecedented sudden fame (but not the ensuing tragedy), Mary McCall’s 1932 novel The Goldfish Bowl was turned into a satirical comedy-drama featuring an engaging Douglas Fairbanks Jr. as a navy captain thrust into the limelight after saving his crew during a submarine disaster. With an unsolicited “personal manager” (played to the hilt by Walter Catlett) and a greedy corporation taking care of both ticker tape parades and all kinds of silly public relations stunts, Fairbanks discovers that he no longer has control of his life. He is constantly embarrassed by a novelty song, “Scotty Boy” (vigorously performed by Broadway crooner Clarence Nordstrom), and even wedded bliss to the understanding Mary Brian is turned into a public spectacle. Fortunately, a Danish sailor (Ivan Linow) saves a dog from drowning and instantly takes Fairbanks’ place in the public awareness. Afraid of becoming celebrities once again after saving a car from being wrecked by an express train, the reluctant hero and his bride drive away as fast as they can, happy to begin a new, anonymous life in teeming New York City.
Douglas Fairbanks Jr. and Victor McLaglen in a scene from the 1939 film Gunga Din
Though Rudyard Kipling’s poem Gunga Din makes a swell recital piece, it cannot be said to have much of a plot. It’s simply a crude cockney soldier’s tribute to a native Indian water boy who remains at his job even after being mortally wounded. Hardly the sort of material upon which to build 118 minutes’ worth of screen time-at least, it wasn’t until RKO producer Pandro S. Berman decided to convert Gunga Din into an A-budgeted feature film. Now it became the tale of three eternally brawling British sergeants stationed in colonial India: Cutter (Cary Grant), McChesney (Victor McLaglen) and Ballantine (Douglas Fairbanks Jr.). Ballantine intends to break up the threesome by marrying lovely Emmy Stebbins (Joan Fontaine), while Cutter and McChesney begin hatching diabolical schemes to keep Ballantine in the army (if this plot element sounds a lot like something from the Ben Hecht and Charles MacArthur play The Front Page, bear in mind that Hecht and McArthur shared writing credit on Gunga Din with Joel Sayre and Fred Guiol; also contributing to the screenplay, uncredited, was William Faulkner). All three sergeants are kept occupied with a native revolt fomented by the Thuggees, a fanatical religious cult headed by a Napoleonic Guru (Eduardo Ciannelli). Unexpectedly coming to the rescue of our three heroes-not to mention every white man, woman and child in the region-is humble water carrier Gunga Din (Sam Jaffe), who aspires to become the regimental trumpeter. Originally slated to be directed by Howard Hawks, Gunga Din was taken out of Hawks’ hands when the director proved to be too slow during the filming of Bringing Up Baby. His replacement was George Stevens, who proved to be slower and more exacting than Hawks had ever been!
♥ Irene Dunne & Douglas Fairbanks Jr. ♥ “Joy of Living”
This movie is amazing!! =D
Agreed! This is such an adorable film.
Douglas Fairbanks Jr. and Ruth Warrick in a scene from the 1941 film The Corsican Brothers
The Corsican Brothers is based on theDumas novel about “psychic” twins—one feels the pain and experiences the thoughts of the other. Douglas Fairbanks Jr. plays both Mario and Lucien, siblings separated at birth because of a long-standing feud between various factions of their family. One twin is raised to be evil, the other to be good. In adulthood, the brothers become bitter enemies, not only because of family and political pressures but also because they both fall in love with the beautiful Isabelle (Ruth Warrick). Eventually, however, one twin gives up his life for the sake of the other during a climactic battle with tyrannical Corsican ruler Colonna (Akim Tamiroff). Produced on a virtual shoestring by Edward Small, The Corsican Brothers cannot rely on clever optical effects to convey the idea that Douglas Fairbanks Jr. is two people (some of the process work is embarrassing); instead, Fairbanks carries the story on the strength of his acting, subtly differentiating the two characters so that the audience is seldom confused as to which is which. Incidentally, the actor doubling for Fairbanks in the two-shots, his face averted from the camera, is Peter Cushing.
One of DFJ’s great swashbucklers. I’m amazed by the Peter Cushing fact! I never knew that!
Little Caesar (1931)
Trailer featuring the always suave and debonair DFJ. His part starts around .50
THE PRISONER OF ZENDA - USA. 1937
German Movie Program - Illustrierte Film-Bühne: Nr.1486
This epic-scale silent adaptation of the popular novel by Anthony Hope concerns Rudolph (Lewis S. Stone), a member of the royal family of Ruritania who is about to be crowned King. However, his conniving and ill-tempered brother has designs on the throne, and he drugs his sibling shortly before his coronation. Rudolph’s allies find a British tourist who bears a striking resemblance to the would-be king, Rudolph Rassendyll (also played by Stone). They persuade the visitor to pose as Rudolph during the coronation to prevent the brother from usurping the crown. When the brother’s henchmen discover that the Englishman is posing as Rudolph, they lock the real monarch away in a dungeon and attempt to expose the false king before he can be given the crown. The Prisoner of Zenda was directed by Rex Ingram, one of the most important directors of the American silent cinema, and co-starred Alice Terry as Princess Flavia and Robert Edeson as Colonel Sapt. The story was previously filmed in 1915, and would enjoy three more remakes during the sound era.
Wow I’ve never seen this photo before! This is a thrill to find!
